Authors: David De Roure, Graham Klyne, Kevin R. Page, John Pybus, David M. Weigl, Matthew Wilcoxson, Pip Willcox
Abstract: Whether in the science lab or the music studio, we go in with a plan, we perform, and we make a record of that performance for distribution, consumption, and reuse. Both domains are increasingly data-intensive, with the adoption of new technology, and also socially intensive with democratised and growing citizen engagement. The music industry has embraced digital technology throughout the lifecycle from composition to consumption; scientific practice, and scholarly communication, are also undergoing transformation. Is the music industry more digital than science? We suggest that comparing and contrasting these two systems will provide insights of mutual benefit. Our investigation explores the notion of the Digital Music Object, analogous to the Research Object, for rich capture, sharing and reuse of both process and content.
Citation: de Roure, D, Klyne, G, Page, KR et al., (2016). Plans and performances: Parallels in the production of science and music.